TitleShazam, Thangbi Mani: Final Day [Close shot]
Additional title: Dance of the Four Stags
NamesCore of Culture (Organization) (Producer)Core of Culture (Organization) (Donor)
CollectionBhutan Dance Project, Core of Culture
Dates / OriginDate Created: 2005
Library locationsJerome Robbins Dance DivisionShelf locator: *MGZIDF 733B
TopicsDance -- BhutanFolk dancing -- BhutanDance -- Religious aspects -- BuddhismRites & ceremonies -- BhutanMasks -- BhutanFestivals -- BhutanDzongs -- Bhutan -- Bumthang (District)Bumthang (Bhutan : District)Ritual and ceremonial dancing -- BhutanMask dances -- BhutanDeer dance -- Bhutan
GenresFilmed danceFilmed performances
NotesAdditional physical form: For wide shot version, see: *MGZIDF 733A.Performers: There are only eight dancers who perform all the dances during the three days of the entire festival.Content: Thangbi Mani (Day Three, Final Day, Sept. 19, 2005): Shazam - Dance of the Four Stags ; Dri Cham - Dance of the Ging with Swords ; Khandumai Cham - Dance of the Dakinis ; Jakchung Berchung (Although there were other dances in the afternoon we stopped filming after this dance).Venue: Videotaped in performance in the front courtyard of the Thangbi Lhakhang/Lhendrup Chhoeling Monastery (camera c - shoots at ground level diagonally across the courtyard), in Bumthang, on Sept. 19, 2005.Acquisition: Gift; Core of Culture. NN-PDBiographical/historical: The Thangbi festival held at Thangbi Lhakhang was founded in 1470 by the fourth Zhamarpa of the Karma Kagyu School of Tibetan Mahayana Buddhism. Located in the north of Choekkhor valley, it takes about 30 minutes walk from the road through the fields of buckwheat to reach the Temple. A small village festival held annually after the harvest of Potato and buckwheat to be thankful for the good harvest. It is also the time to celebrate and to pray that all sentient beings are blessed by invoking the deities through the ritual dances that are performed.Biographical/historical: The fourth Zhamar Rinpoche of the Karmapa School came to Bumthang from Tibet in the 15th Century in order to establish a monastery and in 1470 he founded Thangbi Lhakhang, located in the middle of a wide fertile plateau overlooking the river. Following a quarrel with Pema Lingpa, Zhamar Rinpoche had to leave Thangbi. The iron curtain hanging in the entrance is said to have been forged by Pema Lingpa himself, who took over the monastery.
Physical DescriptionBorn digitalExtent: 1 video file (ca. 8 min.) : sound, color
DescriptionA subjugation dance attributed to the first Namkhai Nyingpo. It commemorates the story from the life of Guru Rinpoche who subjugated the God of Wind - who had been creating much unhappiness and dissatisfaction amongst men. Having conquered the spirit, the Guru then rode his mount of a White Stag and gave blessings to people throughout the country, thus restoring peace and harmony to all. The dance thus subdues evil and creates benefits for all who witness it. Shazam: The Dance of the Four Stags is a re-enactment of an auspicious incident in the life of Guru Rinpoche, the great 8th Century sage who is credited with introducing Buddhism to Bhutan as he journeyed through the country to and from Tibet. Guru Rinpoche (Padmasambhava) is also known as the great subjugator of those local deities and spirits who resisted the spread of Buddhism, and, having subdued them to his will, he forced them to take an oath that henceforth they would become protectors of the Dharma, thus turning his one-time opponents into staunch allies of the faith. The Dance of the Four Stags refers to one such contest in which Guru Rinpoche subdued the King of the Wind, the ruler of the Earth-Spirits (sadag) who dominated the North-western direction and who had been causing much trouble and strife amongst the people of those times. Having subdued and conquered this powerful spirit Guru Rinpoche took possession of his mount, a great Stag, and rode around the land bestowing blessings upon the people and restoring a period of peace and prosperity for all. The dance of the Four Stags was revealed by the first incarnation of Nam Nying (Namkhai Nyingpo) who created the Stag masks as a way to commemorate this event. As well as being a subjugation dance having the effect of warding off evil influences in the place where it is performed, the dance is also seen as having the beneficial effect of restoring peace and harmony in the lives of those who witness its performance.
Thangbi Mewang is held for four days, from the 13th to the 16th days of the 8th Bhutanese month.
Type of ResourceMoving image
IdentifiersNYPL catalog ID (B-number): b19803402Universal Unique Identifier (UUID): 514832f0-e505-0130-e07a-3c075448cc4b
Copyright NoticeCore of Culture
Rights StatementThis item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
Item timeline of events
-
-
-
-
