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Fig. 72 : Head of Laocoon of Brussels (property of the Prince of Aremberg), a copy of the Laocoon of Rome, on which the same faulty expression of physical pain and agonized convulsions as in the original (Fig. 70) is seen.
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Mécanisme de la physionomie humaine: où, Analyse électro-physiologique de l'expression des passions
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MLA Format
The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection, The New York Public Library. "Fig. 72 : Head of Laocoon of Brussels (property of the Prince of Aremberg), a copy of the Laocoon of Rome, on which the same faulty expression of physical pain and agonized convulsions as in the original (Fig. 70) is seen." The New York Public Library Digital Collections. 1876. https://digitalcollections.nypl.org/items/aa16d2ae-75dd-3443-e040-e00a18067692
Chicago/Turabian Format
The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection, The New York Public Library. "Fig. 72 : Head of Laocoon of Brussels (property of the Prince of Aremberg), a copy of the Laocoon of Rome, on which the same faulty expression of physical pain and agonized convulsions as in the original (Fig. 70) is seen." New York Public Library Digital Collections. Accessed February 5, 2025. https://digitalcollections.nypl.org/items/aa16d2ae-75dd-3443-e040-e00a18067692
APA Format
The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection, The New York Public Library. (1876). Fig. 72 : Head of Laocoon of Brussels (property of the Prince of Aremberg), a copy of the Laocoon of Rome, on which the same faulty expression of physical pain and agonized convulsions as in the original (Fig. 70) is seen. Retrieved from https://digitalcollections.nypl.org/items/aa16d2ae-75dd-3443-e040-e00a18067692
Wikipedia Citation
<ref name=NYPL>{{cite web | url=https://digitalcollections.nypl.org/items/aa16d2ae-75dd-3443-e040-e00a18067692 | title=
(still image)
Fig. 72 : Head of Laocoon of Brussels (property of the Prince of Aremberg), a copy of the Laocoon of Rome, on which the same faulty expression of physical pain and agonized convulsions as in the original (Fig. 70) is seen., (1876)
|author=Digital Collections, The New York Public Library |accessdate=February 5, 2025 |publisher=The New York Public Library, Astor, Lenox, and Tilden Foundations}}</ref>
